They were C#5s. Jeongyeon - 7.4. F#3/G3 -C#5/D5 (khng dng head voice) F#3/G3-C#5/D5-A5/Bb5 (dng head voice) . That D5 at the end was not her best but shes always had inconsistency issues with her D5s so nothing new. Finally Wendys here. Its good; shes definitely a bit nervous but overall its okay. I was always curious about this cover because even though she did great, I felt like she kinda squeezed her throat or something. Its got support but it couldve been better executed and more opened. 2:49 slightly flat in her head voice, 2:55 E5 again strained outside of her supported range. I was wondering if resonance would hold her back from Proficient to AA to P, and Im glad it didnt. I agree with you. I hope wendy and seulgi will improve more!!! Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. I just feel as though her voice isnt asclear? Wendy Is The First Lady of Fast Food. Hi. Wasnt that 4 years? That was a D5, it couldve been more relaxed. Change), You are commenting using your Facebook account. The full extent of Wendys lower register reaches Eb3 and the extent of her ability to support is F#3/G3 which fairly decent develop in the lower register for a Soprano. What do you think of Wendys performance in singderella. She was singing while using a growling sound in her head voice. Whos the best of them? Wendys mixed register above D5 becomes very strained a tense due to a more chesty style of mixing. And Twices vocal is terrible like people think? What do you think about this https://youtu.be/OPoOdEdsTMw this is wendy performance. Ok So Wendys a quite well-rounded vocalist, has decent development of all ranges from lower to mixed and upper ranges as well as vocal runs. I have sort of answered this question many times so I am not answering it again sorry, youll either have to look it up or just wait for the chart that is going to becoming out. Also, will you also do Seulgi ? Twices sub-vocalists are just as underdeveloped as every sub-vocalist of every idol group, whereas their main vocalists are sufficiently skilled. I appreciate vocalists who have nice lower registers. Wendy has very good control in her head voice as she is able to phrase head voice notes in the mid 5th octave with clear diction and support for example Red Velvets acapella version of Sitckwitu. One of the main issues with Wendys head voice, similar to her mix, is openness. 99.9% of sub vocalists are weak vocalists. Archived post. Jihyo - 8.2. Oh thats quick. Shes making it a hybrid of Ah and Uh. Jei and Cao Lu are both weak, no support, just airiness throughout. She also has a very solid and full sound in the chest voice with very minimal airiness. Usually what people perceive as belting is a chest-dominant mixed voice, but a mixed voice nonetheless. She did not have a vocal decline, no. 3:29 again air, no support. Nothing much happens in this cover so not much to analyse tbh. The C5 is significantly more open and resonant than the B4 despite it being higher. Theyre quite well placed though. 0:45 Here she sounds more opened and more comfortable, since its in a more mid-range area of her voice. idk, i heard the throat tension 3:45 that why it sound a bit weird but it was lightly mix so the tension is minimized Feel free to request the groups you would like to see next :). All she can do is carry a tune but shes not supporting, she sounds shallow, unsupported throughout. Vocal Rating: D+ Recommended Listenings: I Knew You Were Trouble, Untouchable Positives: The voice overall has a pleasant timbre that is very sweet and gentle, and can convey emotions by experimenting (somewhat) with rhythmic figures and articulation to match the moods of her songs. She also seems to enjoy to do runs as she tends to sing songs in which she can show off her agility such as Who You Are by Jessie J and Halo by Beyonce. Wendy has ease on low register being able to keep tone down to E3 and having good projection even on her lowest note.Mix register: She has a well-developed having been able to support even up to Eb5 at times and D5 consistently, even outside her supported range she has ease up to G#5 being able to hit high notes without much struggle. So because its not placement related, does that make it less of an issue? I love the pictures you chose for her header, theyre really pretty. (at 2:51) https://youtu.be/J0h8-OTC38I, Hi ahmin. Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. ahahaha yay, kyuhyun not lonely anymore, he got a friend to join him in the 4 octave club. Wendy has shown she is very confident in this register because she will sing well into the 6th octave without shying away for example Dumb Dumb Opera ver. as well as Red Velvets high note battle. There many times in which she could suffer to be more open to create a larger more resonant sound for example her F#5 in Shake That Brass. Shes producing head voice, but the projection small and a little bit shrill due to her just not opening the back of the throat so the sound can resonant properly. Shes just not as opened or round. Wendy mix leans more on the chestier side of the spectrum and because of this when she goes outside of her supported range she ends up carrying too much weight. 0:49 G#4 and A4, she can support. 2:31 throaty C5 for Linzy, but she doesnt sound too bad below that range. Can you analyze this performance of wendy https://youtu.be/cy_98kPwVzQ. But her MMA performances proved that she could be reallyinconsistent. Thank you so much. Vocal negatives: Wendy is very flat and imprecise when she tries vocal runs. This approach has helped it not only attract new customers but increase brand loyalty amongst existing customers as well. We had Dr. Wendy DeLeo LeBorgne, author, internationally-known voice pathologist, communication consultant, and vocal athlete expert at our past Remodista's Community Day a few years ago, and we wanted to re-share. I think he meant mixed voice as well cause when Wendy said it, she used a mix instead of head voice. I really appreciate that your question was posted on Wendys analysis. RED VELVET: As expected from SM, Wendy is amazing and Seulgi and Joy do their jobs pretty well. Support is created when the vocalist enables their body to get involved rather than just their throat and hence allows engagement from the diaphragm to carry out the sound with proper breathing technique. Change), You are commenting using your Facebook account. Her first part in Be Natural slayed me hard. How about 4.06 Eb5? Don't let the sweet pigtails and innocent smile fool you. Thank you so much for this analysis! And is that supported at all? Also, thank you Pandayeu and Ahmin for answering our questions about Wendy even before her analysis came out ^^. https://www.youtube.com/c/FeelsLikeHeavenFeelsLikeHell, https://www.youtube.com/watch?v=Ns2fPMUSduE. Its right at the beginning of the video. Sorry04:11 is D#5, i really sure if that D#5,is she good at this performance?is she decrease since her debut? I was just curious if her technique was as healthy then as it is now and and if there was anything that she was doing differently If only she could go back to the days when she could hit good Eb5s to F5s. Wendy is capable of supporting her voice as low as F#3 and is able to maintain a considerate amount of tone down to Eb3/E3. Its pretty balanced as far as Im aware. Because Wendy is able to support her voice moderately low she is fairly comfortable with phrasing in her lower register and is still able to maintain tonality most notably in Be Natural. Wendy easily phrases her way down to an Eb3 without any major lack of tonality just a slight fry quality for style. Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. Nothing new, she is singing with the same level of technique shes displayed thus far. 2:16 head voice F#5. guys, Wendys new MV. But really some people are belters and some are runners, similarly to how some people are good at long distance running and others at sprinting. 4:24 Bb4 into a Db5 for Seulgi, the Bb4 was nice but the Db5 had issues with a constricted throat and tension. Also you are right, there is not C, theres only B but I wouldnt the F in this key F then, Id call it an E# if were in the key of F# major. Resonance isnt solely placement because she has good placement. Thanks a lot! It's about displaying your emotions in every note as well. Im curious as to how much resonance affects her rating. Sorry if this is annoying im just curious fjfjdjf. There many times in which she could suffer to be more open to create a larger more resonant sound for example her F#5 in Shake That Brass. Shes producing head voice, but the projection small and a little bit shrill due to her just not opening the back of the throat so the sound can resonant properly. Mamamoos strong suit is that as a vocal group, they have well-rounded members. Just one more question, what note(s) does Wendy sing at 1:54? I thought the key was Db, cause I heard Db, Eb, F, Gb, Ab, Bb, C and Db. I cant wait to witness Wendys growth as a singer through proper practice, experience and age. Wendys mix extends to a high extreme of G5, however she only supports and resonates in the C5/C#5 range and occasionally up to D5. She has a really nice head voice overall, even though that wasnt showcased in this short note. Just because she hasnt sung the notes in between G#6 and Eb7 doesnt mean she cant. I mean before debut not debut Wendy. Because Wendy is able to support her voice moderately low she is fairly comfortable with phrasing in her lower register and is still able to maintain tonality most notably in Be Natural. Wendy easily phrases her way down to an Eb3 without any major lack of tonality just a slight fry quality for style. What soprano? In many Red Velvet songs Wendys head voice is at times a very staple feature for example Red Dress, Something Kind Of Crazy, Candy and many more. Do you have any idea as to who was the one that was doing the lower harmony in their stickwitu acapella? What did she do when she did not make a correct pitch? From the Get-Go, Wendy proved her vocals with their debut "Happiness" and that bridge of "Shine on Me!" Honestly, I can't go much more into it because it's brutally blatant that this girl is #1 in Red Velvet's Vocal Ranking. The voice type is. We are talking about her solo song right? Wendy has a style of singing that is heavily based in the R&B/Soul genre which is very much known for its complex and extravagant melismas, therefore, naturally, Wendy developed her ability to do runs. Also Taeyeon doesnt have a slightly underdeveloped head voice, slightly under developed head voice would only being able to head voice B4/C5 lol. 1:46 yes it's a run, it could've been cleaner and more precise. They both sound like they support, so thats already going really well for them.. And she seemed nervous too. Wendy The Kpop Vocal Goddesses must've showered her a little extra love because Wendy is no joke. Btw, thanks for replying. Debunking K-pop Vocal Myths #16: Are BTS Jimin and UP10TIONs Sunyoulcountertenors? 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